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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1051 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Hell (copy)"7 records

Institutions answered newest-first by record, interleaved

The Descent into Limbo by Andrea Mantegna, The Metropolitan Museum of Art

The Descent into Limbo

Andrea Mantegna (d. 1506)

mid-15th century · Pen and brown ink, brown wash

Cleared · Public Domain

live
The MetSimilar
Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus" by Heinrich Aldegrever, The Metropolitan Museum of Art

Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus"

Heinrich Aldegrever (d. 1561)

after 1554 · Engraving

Cleared · Public Domain

live
The MetSimilar
Hell (copy) by Hans Baldung (called Hans Baldung Grien), The Metropolitan Museum of Art

Hell (copy)

Hans Baldung (called Hans Baldung Grien) (d. 1545)

after 1511 · Woodcut, hand-colored

Cleared · Public Domain

live
The MetSimilar
Copy of Night Parade of One Hundred Demons from the Shinjuan Collection by Mochizuki Gyokusen, The Metropolitan Museum of Art

Copy of Night Parade of One Hundred Demons from the Shinjuan Collection

Mochizuki Gyokusen (d. 1755)

18th century · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Orpheus, returning from Hades without Eurydice by Marie Alexandre Lucien Coudray, The Metropolitan Museum of Art

Orpheus, returning from Hades without Eurydice

Marie Alexandre Lucien Coudray (d. 1964)

1893–99, struck in the 20th century · Partially patinated iron

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tityus Punished in Hell

Anonymous, Italian, 16th century (d. 1600)

1566–89 · Engraving; copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hell Hole

John Sloan (d. 1951)

1917 · Etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.