
Terracotta calyx-krater (bowl for mixing wine and water)
Group of Polygnotos
ca. 440–430 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1154 ms. The Metropolitan Museum of Art, Collection API (Open Access)
408 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta calyx-krater (bowl for mixing wine and water)
Group of Polygnotos
ca. 440–430 BCE · Terracotta
Cleared · Public Domain
live
Terracotta column-krater (bowl for mixing wine and water)
Marlay Painter
ca. 430 BCE · Terracotta
Cleared · Public Domain
live
Terracotta squat lekythos (oil flask)
Unrecorded maker
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
live
New Modelbüch (Page 6v)
Andreas Bretschneider (d. 1645)
1615 · Etching (counterproof)
Cleared · Public Domain
live
Theseus Conqueror of the Centaur Eurytus
Eugène Delacroix (d. 1863)
1825 · Lithograph; only state
Cleared · Public Domain
live
Henning with Parthenon Frieze
Hill and Adamson (d. 1848)
1843–47 · Salted paper print from paper negative
Cleared · Public Domain
live
The Horse Fair
Rosa Bonheur (d. 1899)
1852–55 · Oil on canvas
Cleared · Public Domain
live
Two Male Figures with a Horse (after the Parthenon Frieze?) (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta volute-krater (bowl for mixing wine and water)
Polion
ca. 420 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sculptor's Studio
Louis Moeller (d. 1930)
probably 1880s · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New York Metropolitan Museum of Art, from "Harper's Weekly" Supplement
Albert Weck Wenzell (d. 1917)
May 23, 1891 · Photomechanical reproduction
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Watering Place
Pablo Picasso (d. 1973)
1905–6 · Gouache on board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.