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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    196 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Henry Bacon"12 records

Institutions answered newest-first by record, interleaved

The History of St. Paul's Cathedral in London, From its Foundation until these Times by Sir William Dugdale, The Metropolitan Museum of Art

The History of St. Paul's Cathedral in London, From its Foundation until these Times

Sir William Dugdale (d. 1605)

1658 · Illustrations; etching

Cleared · Public Domain

live
The MetSimilar
Pull'd Turkey, Collard Pig,  A Calf's Pluck and Rusty Bacon by Thomas Rowlandson, The Metropolitan Museum of Art

Pull'd Turkey, Collard Pig, A Calf's Pluck and Rusty Bacon

Thomas Rowlandson (d. 1827)

1807 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Lover's Complaint by Frederick Bacon, The Metropolitan Museum of Art

A Lover's Complaint

Frederick Bacon (d. 1887)

1825–40 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2) by Frederick Bacon, The Metropolitan Museum of Art

Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2)

Frederick Bacon (d. 1887)

1825–40 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Procession of the Flitch of Bacon

James Henry Watt (d. 1867)

December 1832 · Etching and engraving on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Procession of the Flitch of Bacon

James Henry Watt (d. 1867)

1833 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dash, Hector, Nero and Lorie

Sir Edwin Henry Landseer (d. 1873)

July 1, 1842 · Mixed method engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dash, Hector, Nero and Lorie

Sir Edwin Henry Landseer (d. 1873)

January 1, 1842 · Mixed method engraving on chine collé; proof before title

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Passages from Modern English Poets

The Junior Etching Club (d. 1900)

1875 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armchair

Francis H. Bacon (d. 1940)

1886–88 · Mahogany, tooled and painted leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Henry Bacon

Evelyn Beatrice Longman (d. 1954)

1918, cast 1924 · Bronze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shanghai Gestures

R.B. Kitaj (d. 2007)

1968 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.