
The History of St. Paul's Cathedral in London, From its Foundation until these Times
Sir William Dugdale (d. 1605)
1658 · Illustrations; etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
196 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The History of St. Paul's Cathedral in London, From its Foundation until these Times
Sir William Dugdale (d. 1605)
1658 · Illustrations; etching
Cleared · Public Domain
live
Pull'd Turkey, Collard Pig, A Calf's Pluck and Rusty Bacon
Thomas Rowlandson (d. 1827)
1807 · Hand-colored etching
Cleared · Public Domain
live
A Lover's Complaint
Frederick Bacon (d. 1887)
1825–40 · Etching and engraving
Cleared · Public Domain
live
Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2)
Frederick Bacon (d. 1887)
1825–40 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Procession of the Flitch of Bacon
James Henry Watt (d. 1867)
December 1832 · Etching and engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Procession of the Flitch of Bacon
James Henry Watt (d. 1867)
1833 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dash, Hector, Nero and Lorie
Sir Edwin Henry Landseer (d. 1873)
July 1, 1842 · Mixed method engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dash, Hector, Nero and Lorie
Sir Edwin Henry Landseer (d. 1873)
January 1, 1842 · Mixed method engraving on chine collé; proof before title
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passages from Modern English Poets
The Junior Etching Club (d. 1900)
1875 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Francis H. Bacon (d. 1940)
1886–88 · Mahogany, tooled and painted leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Henry Bacon
Evelyn Beatrice Longman (d. 1954)
1918, cast 1924 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shanghai Gestures
R.B. Kitaj (d. 2007)
1968 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.