Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    291 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Heqanakht's account, written over an eff"11 records

Institutions answered newest-first by record, interleaved

Heqanahkt Letter II by an unrecorded maker, The Metropolitan Museum of Art

Heqanahkt Letter II

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Heqanakht Account VII by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht Account VII

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Heqanakht Letter (III) to Merisu by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht Letter (III) to Merisu

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Heqanakht Letter I by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht Letter I

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Heqanakht Letter V by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht Letter V

Unrecorded maker

ca. 1961–1917 B.C. · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Heqanakht's account, written over an effaced letter regarding two female servants by an unrecorded maker, The Metropolitan Museum of Art

Heqanakht's account, written over an effaced letter regarding two female servants

Unrecorded maker

ca. 1956–1953 B.C · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Sealing with Scarab Impressions from Heqanakht's Letters by an unrecorded maker, The Metropolitan Museum of Art

Sealing with Scarab Impressions from Heqanakht's Letters

Unrecorded maker

ca. 1956–1953 B.C · Mud, string

Cleared · Public Domain

live
The MetSimilar
Stirrup Spout Bottle with Felines by an unrecorded maker, The Metropolitan Museum of Art

Stirrup Spout Bottle with Felines

Unrecorded maker

4th–7th century · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Trotting horse by Giambologna, The Metropolitan Museum of Art

Trotting horse

Giambologna (d. 1608)

probably 1587–91 · Bronze

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.