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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    279 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    437 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "Herdsmen with Cattle and Sheep in Italia"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: East Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: East Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Marble sarcophagus with the myth of Selene and Endymion by an unrecorded maker, The Metropolitan Museum of Art

Marble sarcophagus with the myth of Selene and Endymion

Unrecorded maker

early 3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Farms, cattle with herdsmen and milkmaids in the foreground from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa by Johannes van Doetecum I, The Metropolitan Museum of Art

Farms, cattle with herdsmen and milkmaids in the foreground from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa

Johannes van Doetecum I (d. 1605)

1559–61 · Etching; fourth state of five

Cleared · Public Domain

live
The MetSimilar
Village Street, cattle, sheep and herdsman in the foreground from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae by Johannes van Doetecum I, The Metropolitan Museum of Art

Village Street, cattle, sheep and herdsman in the foreground from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae

Johannes van Doetecum I (d. 1605)

ca. 1559–61 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching and drypoint; third state of three

Cleared · Public Domain

live
The MetSimilar
Herdsmen with Cattle and Sheep in Italianate Landscape by Nicolaes Berchem, The Metropolitan Museum of Art

Herdsmen with Cattle and Sheep in Italianate Landscape

Nicolaes Berchem (d. 1683)

mid-17th–late 17th century · Black chalk, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Landscape with Herdsmen and Their Cattle by Jordanus Hoorn, The Metropolitan Museum of Art

Landscape with Herdsmen and Their Cattle

Jordanus Hoorn (d. 1833)

1785 · Pen and brown and gray ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Cattle and sheep at resting at the edge of a forest by George Barret, the younger, The Metropolitan Museum of Art

Cattle and sheep at resting at the edge of a forest

George Barret, the younger (d. 1842)

ca. 1840 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques and gum arabic

Cleared · Public Domain

live
The MetSimilar
Serape by an unrecorded maker, The Metropolitan Museum of Art

Serape

Unrecorded maker

1830–1860 · Wool, cotton

Cleared · Public Domain

live
The MetSimilar
A Great Fair on a Grand Scale by Currier & Ives, The Metropolitan Museum of Art

A Great Fair on a Grand Scale

Currier & Ives (d. 1907)

1894 · Lithograph, printed in color

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Sheep in the Foreground and Castle in the Distance: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Giuseppe Zocchi (d. 1767)

1793–98 · Etching, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ditchling Beacon, Dew Pond

Jem Southam (d. 9999)

1999, printed 2003 · Chromogenic print

In copyright

live
The MetSimilar

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