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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    289 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,756 matching records exist across the two collections.

Results for "Here, This Is Stieglitz Here"12 records

Institutions answered newest-first by record, interleaved

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Landscape by Henri-Edmond Cross (Henri-Edmond Delacroix), The Metropolitan Museum of Art

Landscape

Henri-Edmond Cross (Henri-Edmond Delacroix) (d. 1910)

ca. 1904 · Watercolor and crayon on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stieglitz and Emmy

Frank Eugene (d. 1936)

1907 · Autochrome

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alfred Stieglitz, L'accoucheur d'idées (The Midwife to Ideas)

Marius de Zayas (d. 1961)

ca. 1908–9 · Charcoal and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From the El

Paul Strand (d. 1976)

1915 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Here, This Is Stieglitz Here

Francis Picabia (d. 1953)

1915 · Ink, graphite, and pasted and printed papers on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Max Weber

Marius de Zayas (d. 1961)

ca. 1910 · Brush and black ink, gouache, watercolor, and copper metallic paint over graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Drawing XIII

Georgia O'Keeffe (d. 1986)

1916–17 · Charcoal with erasing on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Marin and Alfred Stieglitz

Marius de Zayas (d. 1961)

ca. 1912–13 · Charcoal and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Katherine Dudley

Alfred Stieglitz (d. 1946)

1922 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From My Window at An American Place, Southwest

Alfred Stieglitz (d. 1946)

1932 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Here She Comes! (Safe in a Large Tin Box) (for The Christian Science Monitor)

Emil Weiss (d. 1965)

1963 · Pen and ink, colored crayon

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.