
Menat counterpoise for attachment to the missing aegis of a goddess
Unrecorded maker
ca. 800–525 BCE · Cupreous metal, gold inlay
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1338 ms. The Metropolitan Museum of Art, Collection API (Open Access)
523 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Menat counterpoise for attachment to the missing aegis of a goddess
Unrecorded maker
ca. 800–525 BCE · Cupreous metal, gold inlay
Cleared · Public Domain
live
Madonna and Child in a niche
Luca della Robbia (d. 1482)
ca. 1460 · Glazed terracotta with gilt and painted details
Cleared · Public Domain
live
Snuffbox
Capodimonte Porcelain Manufactory (d. 1759)
ca. 1745–50 · Soft-paste porcelain decorated in polychrome enamels; gold mounts
Cleared · Public Domain
live
Box
Jean-Joseph Barrière (d. 1833)
1765–66 · Gold, enamel
Cleared · Public Domain
live
Commode à vantaux
David Roentgen (d. 1807)
ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Cleared · Public Domain
live
The Romp
R. Rushworth (d. 1800)
January 3, 1786 · Hand-colored etching
Cleared · Public Domain
live
Armchair (Fauteuil à la reine) (one of a pair) (part of a set)
Georges Jacob (d. 1814)
ca. 1780–85 · Carved and gilded walnut; embroidered silk satin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Girl and Parrot (Ōmu to shōjo)
Kamiya Kokei (d. 1943)
1927 · Hanging scroll; ink, color, and gofun (shell white) on silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Luli dera (ancestor figure)
Leti Islands artist
19th–early 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wunkirmian or wakemia feasting spoon
Zlan of Belewale (d. 1955)
early 20th century · Wood, fiber, metal, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here She Comes! (Safe in a Large Tin Box) (for The Christian Science Monitor)
Emil Weiss (d. 1965)
1963 · Pen and ink, colored crayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Birrinydji
Dhambit Ruypu Munungurr (d. 9999)
2023 · Acrylic on bark
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.