
Cutout Disk
Unrecorded maker
6th–7th century · Gilded copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1235 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cutout Disk
Unrecorded maker
6th–7th century · Gilded copper
Cleared · Public Domain
live
The Nymph of Fontainebleau
René Boyvin (d. 1598)
n.d. · Engraving
Cleared · Public Domain
live
I see everything and I see nothing (Je vois tout et je ne vois rien), with hidden silhouettes of the French royal family
D. Martin (d. 1850)
1796 · Etching
Cleared · Public Domain
live
Hidden silhouette of Napoleon contemplating his tomb
Annin & Smith (d. 1900)
ca. 1820 · Lithograph
Cleared · Public Domain
live
Hidden silhouette: the spirit of Byron in the Greek Isles
Henry Burn (d. 1884)
ca. 1825 · Lithograph
Cleared · Public Domain
live
Napoleon's tomb with a hidden silhouette
Francois-Charles Oberthür (d. 1893)
1838–93 · Hand-colored lithograph
Cleared · Public Domain
live
Magical Print: the devil with a hidden silhouette of Napoleon
Anonymous
19th century · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Offering List and Piled Offerings
Unrecorded maker
ca. 1961–1917 B.C. · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Offering List and Piled Offerings
Unrecorded maker
ca. 1961–1917 B.C. · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Partie Fine"
House of Dior (d. 9999)
spring/summer 1951 · (a) silk (b) silk, nylon (c) nylon, leather, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dress
Yves Saint Laurent (d. 9999)
fall/winter 1968–69 · silk, glass, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Creation
House of Dior (d. 9999)
fall/winter 2005–6 · (a) silk, synthetic, cotton, wool, plastic, metal; (b, c) leather; (d) metal, synthetic, pearl, silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.