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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    201 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    311 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 66 matching records exist across the two collections.

Results for "High Rock Tower and Stone Cottage, Lynn,"12 records

Institutions answered newest-first by record, interleaved

Landscape with Cottage by Hendrick Goltzius, The Metropolitan Museum of Art

Landscape with Cottage

Hendrick Goltzius (d. 1617)

ca. 1597–98 · Woodcut; second state

Cleared · Public Domain

live
The MetSimilar
High Rock Tower and Stone Cottage, Lynn, Massachusetts by an unrecorded maker, The Cleveland Museum of Art

High Rock Tower and Stone Cottage, Lynn, Massachusetts

Unrecorded maker

c. 1862 · Photograph, ambrotype, sixth plate

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mountainous Landscape by Tobias Verhaecht, The Metropolitan Museum of Art

Mountainous Landscape

Tobias Verhaecht (d. 1631)

1576–1631 · Pen and brown ink, brush and brown and blue wash

Cleared · Public Domain

live
The MetSimilar
Zü Cölln (Cologne), from "European Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Zü Cölln (Cologne), from "European Views"

Wenceslaus Hollar (d. 1677)

1643 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
The Cottages at the Foot of a Mountain by Anthonie Waterloo, The Metropolitan Museum of Art

The Cottages at the Foot of a Mountain

Anthonie Waterloo (d. 1690)

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Farm Buildings beside a Waterway by Jean Honoré Fragonard, The Metropolitan Museum of Art

Farm Buildings beside a Waterway

Jean Honoré Fragonard (d. 1806)

ca. 1765–70 · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Landscape by Kushiro Unsen, The Metropolitan Museum of Art

Landscape

Kushiro Unsen (d. 1811)

18th–19th century · Hanging scroll; ink and color on satin

Cleared · Public Domain

live
The MetSimilar
Rural Landscape, "Radstadt am Tauren" by Johann Christoph Erhard, The Metropolitan Museum of Art

Rural Landscape, "Radstadt am Tauren"

Johann Christoph Erhard (d. 1822)

early 19th century · Etching; second state

Cleared · Public Domain

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The MetSimilar
Refitting of a Ship at Low Tide by Eugène Isabey, The Metropolitan Museum of Art

Refitting of a Ship at Low Tide

Eugène Isabey (d. 1886)

1833 · Lithograph in black; second state of three

Cleared · Public Domain

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The MetSimilar
St. Andrews. The Fore Tower of the Castle by Hill and Adamson, The Metropolitan Museum of Art

St. Andrews. The Fore Tower of the Castle

Hill and Adamson (d. 1848)

1843–47 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Village de Siloam, Vue générale by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Village de Siloam, Vue générale

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.