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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    434 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    353 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5 matching records exist across the two collections.

Results for "Hind Head Hill, On the Portsmouth Road,"6 records

Institutions answered newest-first by record, interleaved

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)

Joseph Mallord William Turner (d. 1851)

January 1, 1811 · Etching, mezzotint and drypoint; fourth state of four (Finberg)

Cleared · Public Domain

live
The MetSimilar
Liber Studiorum:  Hind Head Hill on the Portsmouth Road by Joseph Mallord William Turner, The Cleveland Museum of Art

Liber Studiorum: Hind Head Hill on the Portsmouth Road

Joseph Mallord William Turner (d. 1851)

1790–1851 · Print, etching and mezzotint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1811 · Etching, mezzotint and drypoint; first state of four (Finberg)

Cleared · Public Domain

live
The MetSimilar
Troy from Mount Ida (No. 11 of The Hudson River Portfolio) by John Rubens Smith, The Metropolitan Museum of Art

Troy from Mount Ida (No. 11 of The Hudson River Portfolio)

John Rubens Smith (d. 1849)

1821–22 · Aquatint printed in color with hand-coloring; first state (Koke)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Hook and Ladder Corps: Going to the Front

King & Murphy (d. 1890)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.