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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1099 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    307 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 139 matching records exist across the two collections.

Results for "His Imperial Majesty, the Commander-in-C"12 records

Institutions answered newest-first by record, interleaved

Statue of the military commander Amasis by an unrecorded maker, The Metropolitan Museum of Art

Statue of the military commander Amasis

Unrecorded maker

610–570 BCE · Metagraywacke

Cleared · Public Domain

live
The MetSimilar
Plaque with Ìyàsẹ́ (Royal Commander) and Attendant by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Plaque with Ìyàsẹ́ (Royal Commander) and Attendant

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

ca. 1540–70 · Brass

Cleared · Public Domain

live
The MetSimilar
Center table by Imperial Armory, Tula (south of Moscow), Russia, The Metropolitan Museum of Art

Center table

Imperial Armory, Tula (south of Moscow), Russia

ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

Cleared · Public Domain

live
The MetSimilar
His Imperial Majesty, the Commander-in-Chief, Arriving in the Capital in Triumph [Sino-Japanese War] (Daigenshi heika gaisen gochakkyō no zu) by Utagawa Kokunimasa, The Metropolitan Museum of Art

His Imperial Majesty, the Commander-in-Chief, Arriving in the Capital in Triumph [Sino-Japanese War] (Daigenshi heika gaisen gochakkyō no zu)

Utagawa Kokunimasa (d. 1944)

1895 (Meiji 28), 5th month · Triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

His Excellency General Washington, Commander in Chief of the Forces of the United States of North America, &c.

Benjamin Beale Evans (d. 1824)

May 15, 1783 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

His Excellency General Washington, Commander in Chief of the United States of North America &c.

Benjamin Beale Evans (d. 1824)

May 15, 1783 · Etching and engraving, printed in orange-brown ink; etched letter state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

His Excellency George Washington Commander in Chief of the United States of America &c.

Benjamin Beale Evans (d. 1824)

May 15, 1783 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Laban Seeking His Idols: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Francesco Bartolozzi (d. 1815)

1793–98 · Etching and engraving, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Story of Laocoon and His Sons: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Francesco Bartolozzi (d. 1815)

1793–98 · Etching and engraving, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Profile of a Man in His Study: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Giuseppe Zocchi (d. 1767)

1793–98 · Etching, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, engraving, stipple, and tonal process, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Man Leaning on his Elbow: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Giovanni Vitalba (d. 1792)

1793–98 · Etching, printed in brown ink

In copyright

live
The MetSimilar

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