
George William Frederick, Prince of Wales (later King George III)
Simon Francis Ravenet, the elder (d. 1774)
ca. 1753–56 · Enamel on copper, transfer printed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
345 ms. The Metropolitan Museum of Art, Collection API (Open Access)
401 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 95 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

George William Frederick, Prince of Wales (later King George III)
Simon Francis Ravenet, the elder (d. 1774)
ca. 1753–56 · Enamel on copper, transfer printed
Cleared · Public Domain
live
Copper plate printed cotton with King George III and his family
J. Seymour (d. 1825)
ca. 1785 · Cotton
Cleared · Public Domain
live
David Garrick as Richard III (Shakespeare, King Richard III, Act 5, Scene 8)
Samuel William Reynolds, the elder (d. 1835)
1825 · Mezzotint; fragment of working proof; before first state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George III
William Pether (d. 1821)
1762 · Mezzotint; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Choir of St. Paul's, on the Day of Solemn Thanksgiving for the Recovery of His Majesty, April 23, 1789
Robert Pollard (d. 1838)
June 24, 1790 · Aquatint, etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lord Mayor Presenting the City Sword to his Majesty George III on his Procession to St. Pauls, April 23, 1789
Ambrose William Warren (d. 1856)
1804 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Most Gracious Majesty George the Third
William Angus (d. 1821)
1763–1805 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Most Gracious Majesty, George the Third
Gaetano Testolini (d. 1822)
1800–18 · Stipple engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Most Excellent Majesty George III, In the 74th Year of his Age & the 52nd of his Reign
Joseph Constantine Stadler (d. 1822)
May 1, 1819 · Stipple engraving, partly printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Majesty King George III
Anonymous, British, 19th century (d. 1900)
1760–1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Authentic History of the Coronation of His Majesty King George the Fourth
Robert Huish (d. 1850)
1821 · Illustrations: engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Most Gracious Majesty George the IVth
Edward Scriven (d. 1841)
May 9, 1825 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.