
Nose Ornament
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
378 ms. The Metropolitan Museum of Art, Collection API (Open Access)
357 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 268 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nose Ornament
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
live
Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., No. 3
Timothy H. O'Sullivan (d. 1882)
1873 · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
Bottle with ritual scene
Amapa-Peñitas artist(s)
1400–1500 CE · Ceramic, slip
Cleared · Public Domain
live
Interior of the Sint-Pieterskerk, 's-Hertogenbosch
Pieter Jansz. Saenredam (d. 1665)
1632 · Oil on wood
Cleared · Public Domain
live
Pair of Stirrups
Unrecorded maker
late 16th century–early 17th century · Iron alloy
Cleared · Public Domain
live
The Jewels of the Pagoda
Linnaeus Tripe (d. 1902)
January 1858 · Albumen silver print from waxed paper negative
Cleared · Public Domain
live
Virabadra Drug as seen from near the site of the last view
Linnaeus Tripe (d. 1902)
December 1857–January 1858 · Salted paper print from waxed paper negative
Cleared · Public Domain
live
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"
Harper's Weekly (d. 1916)
December 5, 1885 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Queen Elizabeth Going to St. Paul's to Return Thanks for the Conquest of the Spanish Armada
Joseph Collyer (d. 1827)
1787–90 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Historic Spanish Record of the Conquest. South Side of Inscription Rock, New Mexico, No. 3
Timothy H. O'Sullivan (d. 1882)
1873 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spanish Roma Woman (The Spanish Gypsy)
Robert Henri (d. 1929)
1912 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.