Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 714 matching records exist across the two collections.

Results for "Historical Collections, Being a General"11 records

Institutions answered newest-first by record, interleaved

Pendant by Maya artist(s), The Metropolitan Museum of Art

Pendant

Maya artist(s)

600–700 CE · Jadeite, pigment

Cleared · Public Domain

live
The MetSimilar
Posthumous Portrait of a Queen as Parvati by an unrecorded maker, The Metropolitan Museum of Art

Posthumous Portrait of a Queen as Parvati

Unrecorded maker

14th century · Andesite

Cleared · Public Domain

live
The MetSimilar
Gloves by an unrecorded maker, The Metropolitan Museum of Art

Gloves

Unrecorded maker

1824 · leather

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Historical Collections, Being a General Collection of Interesting Facts, Traditions, Biographical Sketches, Anecdotes &c, Relating to the History and Antiquities of Every Town in Massachussetts

John Warner Barber (d. 1885)

1839 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance Ticket for New York Gallery of Fine Arts, issued to H. T. Haviland

Anonymous, American, 19th century (d. 1900)

1846 · Etching and engraving, inscribed in pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hidden Utensil

William Wegman (d. 9999)

1970–71 · Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 31 sec.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Out and In

William Wegman (d. 9999)

1970–71 · Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 6 sec.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Name Board

William Wegman (d. 9999)

1972 · Single-channel digital video, transferred from Sony AV 3600 1/2-inch video tape, black-and-white, sound, 4 min., 41 sec.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Double Pyramid" earrings

Daniel Brush (d. 2022)

1975 · Gold (22-karat and 18-karat gold)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Average Guy

William Wegman (d. 9999)

1974–75 · Single-channel digital video, transferred from Panasonic 1/2-inch video tape, black-and-white, sound, 15 sec.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armorer's Punch

Unrecorded maker

ca. 1930–ca. 1970 · Steel

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.