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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    645 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 158 matching records exist across the two collections.

Results for "Holy Eyes"12 records

Institutions answered newest-first by record, interleaved

The Fieschi Morgan Staurotheke by an unrecorded maker, The Metropolitan Museum of Art

The Fieschi Morgan Staurotheke

Unrecorded maker

early 9th century · Gilded silver, gold, enamel worked in cloisonné, and niello

Cleared · Public Domain

live
The MetSimilar
Portrait of a kneeling holy man, from the Prince Salim Album by Mir Sayyid Ali, The Cleveland Museum of Art

Portrait of a kneeling holy man, from the Prince Salim Album

Mir Sayyid Ali (d. 1580)

c. 1556–60; border c. 1602 · Painting, Gum tempera, ink, and gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Dove by an unrecorded maker, The Metropolitan Museum of Art

Dove

Unrecorded maker

10th–11th century (?) · Walrus ivory

Cleared · Public Domain

live
The MetSimilar
The Coronation of the Virgin with the Trinity by Master of Rubielos de Mora, The Cleveland Museum of Art

The Coronation of the Virgin with the Trinity

Master of Rubielos de Mora

c. 1400 · Painting, oil on panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucifix by an unrecorded maker, The Metropolitan Museum of Art

Crucifix

Unrecorded maker

ca. 1200–1220 · Wood with polychromy

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit) by Master of Guillebert de Mets, The Cleveland Museum of Art

Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit)

Master of Guillebert de Mets

1430s · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Knight of the d'Aluye Family by an unrecorded maker, The Metropolitan Museum of Art

A Knight of the d'Aluye Family

Unrecorded maker

after 1248–by 1267 · Limestone

Cleared · Public Domain

live
The MetSimilar
A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504) by an unrecorded maker, The Cleveland Museum of Art

A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)

Unrecorded maker

c. 1610 · Painting, Gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
God of the Trinity by an unrecorded maker, The Metropolitan Museum of Art

God of the Trinity

Unrecorded maker

ca. 1300 · Limewood (?) with pastiglia, polychromy and gilding

Cleared · Public Domain

live
The MetSimilar
Rest on the Flight into Egypt by Guercino, The Cleveland Museum of Art

Rest on the Flight into Egypt

Guercino (d. 1666)

1624 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Mary Magdalene by Jean de Liège, The Metropolitan Museum of Art

Saint Mary Magdalene

Jean de Liège (d. 1381)

ca. 1350–75 · Marble

Cleared · Public Domain

live
The MetSimilar
En no Gyōja with Zenki and Kōki (En no Gyōja) by an unrecorded maker, The Cleveland Museum of Art

En no Gyōja with Zenki and Kōki (En no Gyōja)

Unrecorded maker

1615–1868 · Sculpture, wood with paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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