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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    656 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 242 matching records exist across the two collections.

Results for "Honor the Brave (from "Harper's Weekly")"12 records

Institutions answered newest-first by record, interleaved

On the Beach (from "The Mistress of the Parsonage," in "Harper's Weekly") by Winslow Homer, The Metropolitan Museum of Art

On the Beach (from "The Mistress of the Parsonage," in "Harper's Weekly")

Winslow Homer (d. 1910)

March 10, 1860 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Emancipation of the Negroes – The Past and the Future (from "Harper's Weekly") by Thomas Nast, The Metropolitan Museum of Art

Emancipation of the Negroes – The Past and the Future (from "Harper's Weekly")

Thomas Nast (d. 1902)

January 24, 1863 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
"Dad's Coming!" (from "Harper's Weekly," Vol. XVII) by Winslow Homer, The Metropolitan Museum of Art

"Dad's Coming!" (from "Harper's Weekly," Vol. XVII)

Winslow Homer (d. 1910)

November 1, 1873 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Bathers (from "Harper's Weekly," Vol. XVII) by Winslow Homer, The Metropolitan Museum of Art

The Bathers (from "Harper's Weekly," Vol. XVII)

Winslow Homer (d. 1910)

August 2, 1873 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Nooning (from "Harper's Weekly," Vol. XVII) by Winslow Homer, The Metropolitan Museum of Art

The Nooning (from "Harper's Weekly," Vol. XVII)

Winslow Homer (d. 1910)

August 16, 1873 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Gathering Berries (from "Harper's Weekly," Vol. XVIII) by Winslow Homer, The Metropolitan Museum of Art

Gathering Berries (from "Harper's Weekly," Vol. XVIII)

Winslow Homer (d. 1910)

July 11, 1874 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly" by Harper's Weekly, The Metropolitan Museum of Art

Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"

Harper's Weekly (d. 1916)

December 5, 1885 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flag-Officer Stringham (from "The Mistress of the Parsonage," in "Harper's Weekly")

Winslow Homer (d. 1910)

1860 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Honor the Brave (from "Harper's Weekly")

Thomas Nast (d. 1902)

October 24, 1863 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The War in the Border States (from "Harper's Weekly")

Thomas Nast (d. 1902)

January 17, 1863 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Mountains (from "Harper's Weekly")

W.C. Cary (d. 1880)

August 20, 1870 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday on the Canal, from "Harper's Weekly"

Paul Frenzeny (d. 1902)

October 18, 1873 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.