Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
793 ms. The Metropolitan Museum of Art, Collection API (Open Access)
349 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,569 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Comic Annual
Thomas Hood (d. 1845)
1830 · Illustrations: wood engraving
In copyright
live
Priest's Red Cope, Orphrey and Hood
Unrecorded maker
late 1500s - early 1600s · Textile, Cope: damask weave, silk; Orphrey and hood: brocade, silk and silver
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Comic Annual
Thomas Hood (d. 1845)
1832 · Illustrations: wood engraving
In copyright
live
Barbute (from the Venetian Garrison at Chalcis)
Unrecorded maker
c. 1350–1420 · Arms and Armor, iron
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Comic Annual
Thomas Hood (d. 1845)
1833 · Illustrations: wood engraving
In copyright
live
She Runs Home and Tells Her Mother All about It
Henry Peach Robinson (d. 1901)
1858 · Photograph, albumen print from wet collodion negative
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Comic Annual
Thomas Hood (d. 1845)
1834 · Illustrations: wood engraving
In copyright
live
Varie figure gobbi di Iacopo Callot (Cripple with a hood)
Jacques Callot (d. 1635)
c. 1621–25 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates
Thomas Hood (d. 1845)
1858 · Illustrations: etching
In copyright
live
Uraeus (Rearing Cobra)
Unrecorded maker
1307–1196 BCE · Metalwork, Silver-copper alloy with inlays (copper, feldspar, turquoise, obsidian?) and gilding
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas Hood illustrated by Gustave Doré
Thomas Hood (d. 1845)
1870 · Illustrations: steel engraving
In copyright
live
Three Studies of a Woman Wearing an Elaborate Headdress
Unrecorded maker
c. 1500 · Drawing, Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.