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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    541 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 486 matching records exist across the two collections.

Results for "Hooded Male Head (from Sketches on the C"12 records

Institutions answered newest-first by record, interleaved

Male Nude Torso with Raised Arms by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Male Nude Torso with Raised Arms

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522–24 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Miniature male effigy by Inca artist(s), The Metropolitan Museum of Art

Miniature male effigy

Inca artist(s)

1400–1535 CE · Gold-silver alloy

Cleared · Public Domain

live
The MetSimilar
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso) by Bernardino Poccetti, The Metropolitan Museum of Art

Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso)

Bernardino Poccetti (d. 1612)

1548–1612 · Charcoal with traces of white chalk highlights

Cleared · Public Domain

live
The MetSimilar
The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left. by Jacopo da Empoli (Jacopo Chimenti), The Metropolitan Museum of Art

The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left.

Jacopo da Empoli (Jacopo Chimenti) (d. 1640)

late 16th century · Black chalk, small traces of white chalk highlights, on ochre brown prepared paper; some unrelated scribbles and sketches in red chalk

Cleared · Public Domain

live
The MetSimilar
Nsodie (memorial head) by Akan artist, The Metropolitan Museum of Art

Nsodie (memorial head)

Akan artist

17th–mid-18th century · Terracotta

Cleared · Public Domain

live
The MetSimilar
Standing Male and Female Figures by an unrecorded maker, The Metropolitan Museum of Art

Standing Male and Female Figures

Unrecorded maker

18th–19th century · Wood, beads

Cleared · Public Domain

live
The MetSimilar
Hooded Warbler. Sylvia mitrata [current name: Hooded Warbler. Wilsonia citrina], from "The Birds of America," plate CX by John James Audubon, The Metropolitan Museum of Art

Hooded Warbler. Sylvia mitrata [current name: Hooded Warbler. Wilsonia citrina], from "The Birds of America," plate CX

John James Audubon (d. 1851)

1831 · Hand-colored etching, aquatint and engraving

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on The Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on The Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure from a Reliquary Element: Seated Male (Nlo Bieri)

Unrecorded maker

19th–20th century · Wood, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head (Ganabi)

Unrecorded maker

early 20th century · Wood, paint, shell, resin

In copyright

live
The MetSimilar

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