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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    208 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    413 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 365 matching records exist across the two collections.

Results for "Horse Bit"12 records

Institutions answered newest-first by record, interleaved

Half of a horse bit by an unrecorded maker, The Metropolitan Museum of Art

Half of a horse bit

Unrecorded maker

ca. 9th century BCE · Copper, bronze

Cleared · Public Domain

live
The MetSimilar
Horse Bit with Winged Ibex Cheekpieces by an unrecorded maker, The Cleveland Museum of Art

Horse Bit with Winged Ibex Cheekpieces

Unrecorded maker

800–600 BCE · Sculpture, bronze, cast and incised

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse bit by an unrecorded maker, The Metropolitan Museum of Art

Horse bit

Unrecorded maker

ca. 9th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Curb Bit by an unrecorded maker, The Cleveland Museum of Art

Curb Bit

Unrecorded maker

c. 1580–1600 · Arms and Armor, iron with gilt bronze bosses

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse bit cheekpiece by an unrecorded maker, The Metropolitan Museum of Art

Horse bit cheekpiece

Unrecorded maker

ca. 9th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Master of Animals Cheekpiece by an unrecorded maker, The Cleveland Museum of Art

Master of Animals Cheekpiece

Unrecorded maker

c. 700 BCE · Metalwork, bronze, cast and incised

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze horse bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze horse bit

Unrecorded maker

ca. 725–700 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Fragment from Black-Figure Neck-Amphora (Storage Vessel): Satyr and Horse by an unrecorded maker, The Cleveland Museum of Art

Fragment from Black-Figure Neck-Amphora (Storage Vessel): Satyr and Horse

Unrecorded maker

c. 520–510 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze horse bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze horse bit

Unrecorded maker

8th–7th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
The Jockey by Edgar Degas, The Cleveland Museum of Art

The Jockey

Edgar Degas (d. 1917)

c. 1885–1900 · Drawing, charcoal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse bit cheekpiece by an unrecorded maker, The Metropolitan Museum of Art

Horse bit cheekpiece

Unrecorded maker

ca. 7th century BCE · Bone

Cleared · Public Domain

live
The MetSimilar
Tetradrachm: Quadriga (obverse); Head of Arethousa (reverse) by an unrecorded maker, The Cleveland Museum of Art

Tetradrachm: Quadriga (obverse); Head of Arethousa (reverse)

Unrecorded maker

c. 467–440 BCE · Coins, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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