Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    219 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,348 matching records exist across the two collections.

Results for "Horse and groom"12 records

Institutions answered newest-first by record, interleaved

Horse and groom by an unrecorded maker, The Metropolitan Museum of Art

Horse and groom

Unrecorded maker

13th century · Earthenware

Cleared · Public Domain

live
The MetSimilar
Three Horses and Four Grooms by Ren Renfa, The Cleveland Museum of Art

Three Horses and Four Grooms

Ren Renfa (d. 1328)

c. 1320s · Painting, handscroll; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Grooms and horses by Zhao Mengfu, The Metropolitan Museum of Art

Grooms and horses

Zhao Mengfu (d. 1322)

dated 1296 and 1359 · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Bewitched Groom by Hans Baldung, The Cleveland Museum of Art

The Bewitched Groom

Hans Baldung (d. 1545)

1544–45 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse and Groom by Unidentified, The Metropolitan Museum of Art

Horse and Groom

Unidentified

14th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Fighting Horses by Théodore Géricault, The Cleveland Museum of Art

Fighting Horses

Théodore Géricault (d. 1824)

c. 1820 · Drawing, watercolor over graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Groom and Rider by an unrecorded maker, The Metropolitan Museum of Art

Groom and Rider

Unrecorded maker

1540–50 · Ink and watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Titian, The Cleveland Museum of Art

Adoration of the Magi

Titian (d. 1576)

1500s · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Prince and Groom by an unrecorded maker, The Metropolitan Museum of Art

Prince and Groom

Unrecorded maker

mid-16th century style · Ink, watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Maharana Jagat Singh Attending the Raslila by Jai Ram, The Cleveland Museum of Art

Maharana Jagat Singh Attending the Raslila

Jai Ram

1736 · Painting, Gum tempera, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse and groom by Unidentified artist, The Metropolitan Museum of Art

Horse and groom

Unidentified artist

16th century · Handscroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Royal Horse and Runner by an unrecorded maker, The Metropolitan Museum of Art

Royal Horse and Runner

Unrecorded maker

16th–17th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.