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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    310 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,112 matching records exist across the two collections.

Results for "Horse in Passage"12 records

Institutions answered newest-first by record, interleaved

Whip Handle in the Shape of a Horse by an unrecorded maker, The Metropolitan Museum of Art

Whip Handle in the Shape of a Horse

Unrecorded maker

ca. 1386–1347 BCE · Ivory, garnet, paint

Cleared · Public Domain

live
The MetSimilar
Plaque Depicting the Trojan Horse from the Aeneid by Master of the Aeneid Series, The Cleveland Museum of Art

Plaque Depicting the Trojan Horse from the Aeneid

Master of the Aeneid Series

c. 1530–40 · Enamel, painted enamel on copper, gilt-silver frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse bit cheekpiece in form of a horse and rider by an unrecorded maker, The Metropolitan Museum of Art

Horse bit cheekpiece in form of a horse and rider

Unrecorded maker

ca. 900–750 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Titian, The Cleveland Museum of Art

Adoration of the Magi

Titian (d. 1576)

1500s · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse bit cheekpiece in form of a horse by an unrecorded maker, The Metropolitan Museum of Art

Horse bit cheekpiece in form of a horse

Unrecorded maker

ca. 8th–7th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Horse bit cheekpiece in form of a horse by an unrecorded maker, The Metropolitan Museum of Art

Horse bit cheekpiece in form of a horse

Unrecorded maker

ca. 8th–7th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Horse figurine by an unrecorded maker, The Metropolitan Museum of Art

Horse figurine

Unrecorded maker

ca. 600–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Horse Tack Ornament by an unrecorded maker, The Metropolitan Museum of Art

Horse Tack Ornament

Unrecorded maker

2nd–3rd century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Horse Tack Ornament by an unrecorded maker, The Metropolitan Museum of Art

Horse Tack Ornament

Unrecorded maker

2nd–3rd century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Horse trapping by an unrecorded maker, The Metropolitan Museum of Art

Horse trapping

Unrecorded maker

19th century · Dye-patterned hemp, cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior Passage in the Colosseum

François Diday (d. 1877)

1825 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Difficult Passage in Tennyson

Hill and Adamson (d. 1848)

1861–62 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

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