
Plateau
Richard Sibley I (d. 1836)
1831–32 · Parcel-gilt silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
504 ms. The Metropolitan Museum of Art, Collection API (Open Access)
412 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plateau
Richard Sibley I (d. 1836)
1831–32 · Parcel-gilt silver
Cleared · Public Domain
live
Horsley’s House at Willesley
Francis Seymour Haden (d. 1910)
1865 · Print, etching and drypoint
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Badaioz Assaulted and Taken, April 6, 1812 and The Battle of Salamanca, July 22, 1812
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passage of the Douro, Oporto Liberated, 1809 and The Lines of Torres Vedras, March 6, 1811
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Duke of Wellington, Surrounded by his Generals, is Crowned by Victory and Tramples Tyranny, Anarchy and Discord
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Entrance into Toulouse, July 12, 1814 and the Dukedom of Wellington Conferred
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Victory of Assaye, September 23, 1803 and The Battle of Vimiera, August 21, 1808
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Victory of Vittoria Gained, June 21, 1813 and The Battle of the Pyrenees, Bordeaux Delivered, 1814
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horsley's Cottages
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; between trial proof C and D (Harrington); fifth state of nine (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horsley's Cottages
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; trial proof c (Harrington); third state of nine (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horsley's House at Willesley
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.