
Model of a Slaughter House
Unrecorded maker
ca. 1981–1975 B.C. · Wood, paint, plaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
795 ms. The Metropolitan Museum of Art, Collection API (Open Access)
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Model of a Slaughter House
Unrecorded maker
ca. 1981–1975 B.C. · Wood, paint, plaster
Cleared · Public Domain
live
Gameboard
Unrecorded maker
late 17th–early 18th century · Printed paper on wood
Cleared · Public Domain
live
How to Pluck a Goose
Thomas Rowlandson (d. 1827)
June 10, 1802 · Hand-colored etching
Cleared · Public Domain
live
How to Pluck a Goose
Thomas Rowlandson (d. 1827)
June 10, 1802 · Hand-colored etching
Cleared · Public Domain
live
A Goose and a Gander with their Goslings Honking in Alarm as Two Foxes with their Cubs Emerge from the Rushes
Johann Heinrich Wilhelm Tischbein (d. 1829)
mid-18th–early 19th century · Pen and brown ink, brush and brown and gray wash over black chalk, watercolor and bodycolor
Cleared · Public Domain
live
The Raffle (Raffling for the Goose)
William Sidney Mount (d. 1868)
1837 · Oil on mahogany
Cleared · Public Domain
live
Ānandalaharī
Unrecorded maker
ca. 1885 · Wood, skin, string
Cleared · Public Domain
live
Ānandalaharī
Unrecorded maker
late 19th century · Wood, skin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief depicting an offering table and part of an inscription
Unrecorded maker
ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"A Fox Went Out"―page design
Paul Vincent Woodroffe (d. 1954)
February 6, 1907 · Pen and black ink, watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Nude Study]
Germaine Krull (d. 1985)
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goose
Xie Zhiliu (d. 1997)
20th century · Drawing mounted as a hanging scroll; ink on tracing paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.