Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    431 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    453 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Hug me Closer, George!"11 records

Institutions answered newest-first by record, interleaved

Chair (Sgabello) by Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497), The Metropolitan Museum of Art

Chair (Sgabello)

Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497) (d. 1497)

ca. 1489–91 · Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint

Cleared · Public Domain

live
The MetSimilar
Mortar by Wenzel Jamnitzer, The Metropolitan Museum of Art

Mortar

Wenzel Jamnitzer (d. 1585)

ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Orpheus (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Andiron with figure of Orpheus (one of a pair)

Unrecorded maker

16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Wig cabinet (cabinet de coiffure) by Johann Daniel Sommer II, The Metropolitan Museum of Art

Wig cabinet (cabinet de coiffure)

Johann Daniel Sommer II (d. 1698)

ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)

Cleared · Public Domain

live
The MetSimilar
Cabinet by André Charles Boulle, The Metropolitan Museum of Art

Cabinet

André Charles Boulle (d. 1732)

ca. 1700 · Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Commode by Jean François Cuvilliés the Elder, The Metropolitan Museum of Art

Commode

Jean François Cuvilliés the Elder (d. 1768)

ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
Adonis (or Meleager?) seated on a boar by an unrecorded maker, The Metropolitan Museum of Art

Adonis (or Meleager?) seated on a boar

Unrecorded maker

ca. 1650 · Bronze

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Mercury (one of a pair) by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Andiron with figure of Mercury (one of a pair)

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

19th century? · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hug me Closer, George!

Currier & Ives (d. 1907)

1886 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold Dust Box (abamphruwa)

Unrecorded maker

19th–20th century · Brass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.