
Viewing Cherry Blossoms
Kitagawa Utamaro (d. 1806)
1790 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
595 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 142 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Viewing Cherry Blossoms
Kitagawa Utamaro (d. 1806)
1790 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Gathering of Poetic Immortals with Poem Drafts
Matsumura Goshun (d. 1811)
late 1700s · Painting, hanging scroll; ink and color on paper
Cleared · CC0
liveRandom Sketches by Hokusai, Volume 12
Katsushika Hokusai (d. 1849)
1834 · Woodblock printed book; ink and color on paper
Cleared · Public Domain
live
The Holdup, first state
George Bellows (d. 1925)
1921 · Print, lithograph
Cleared · CC0
live
Preparing for Christmas (Plucking Turkeys)
Francis William Edmonds (d. 1863)
1851 · Oil on canvas
Cleared · Public Domain
live
Silenus
Jusepe de Ribera (d. 1652)
1628 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fortune Leaning on a Globe, with a Humorous Subject Above: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi (d. 1815)
1793–98 · Etching and mezzotint, printed in brown ink; second state of two (De Vesme & Calabi)
In copyright
live
Lazarillo de Tormes and His Blind Master
Théodule Ribot (d. 1891)
before 1880 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Any Port in a Storm
Thomas B. Worth (d. 1917)
1884 · Lithograph, hand-colored with gum arabic
In copyright
live
Isola Bella, Lago Maggiore
Edward Lear (d. 1888)
1839 · Drawing, graphite heightened with white
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Humorous Subject
Rudolf Kalvach (d. 1932)
1907 · Color lithograph
In copyright
live
The Temptation of St. Anthony
Julien Léopold Boilly (d. 1874)
19th century · Drawing, Black chalk with white, pink, orange, ochre, and brown chalks on blue paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.