
Frieze Tile with Two Hunters
Unrecorded maker
second half 13th century · Stonepaste; molded, inglaze painted in blue and turquoise, luster-painted on opaque white glaze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
466 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 172 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Frieze Tile with Two Hunters
Unrecorded maker
second half 13th century · Stonepaste; molded, inglaze painted in blue and turquoise, luster-painted on opaque white glaze
Cleared · Public Domain
live
The Hunters Return to the Castle (from the Unicorn Tapestries)
Unrecorded maker
1495–1505 · Wool warp with wool, silk, silver, and gilt wefts
Cleared · Public Domain
live
Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond, from "The Triumphs of Petrarch"
Georg Pencz (d. 1550)
ca. 1539 · Engraving
Cleared · Public Domain
live
Wild Boar Hunt with Spears, from "Hunting Scenes in Ornamental Frames"
Jan van der Straet, called Stradanus (d. 1605)
1570 · Engraving
Cleared · Public Domain
live
Procession, with one man playing a drum atop a horse at front, four men playing trumpets on horses at center, and one man following on foot behind
Anonymous, German, 16th century (d. 1600)
16th century · Etching
Cleared · Public Domain
live
Hunters in a Landscape
Anonymous, 16th century (d. 1600)
ca. 1575–95 · Wool, silk (14 warps per inch; 5-6 per cm)
Cleared · Public Domain
live
Hunters on horses and on foot, with hounds pursuing a stag, and two buildings in a hilly landscape, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens)
Jacques Callot (d. 1635)
ca. 1618–35 · Etching
Cleared · Public Domain
live
Chand Bibi Hawking with Attendants in a Landscape
Unrecorded maker
ca. 1700 · Opaque watercolor, gold, and silver on card-weight paper
Cleared · Public Domain
live
Seal Box with Hunters on Horseback
Unrecorded maker
17th–18th century · Black lacquer with mother-of-pearl inlay and gold painting
Cleared · Public Domain
live
Hunters with Dead Game in a Landscape
Giovanni Agostino Cassana (d. 1720)
1600–1800 · Black chalk, reinforced with colored chalks, brush, gouache, and brown ink, on blue paper
Cleared · Public Domain
live
Maharana Amar Singh II or Sangram Singh Hunting Wild Boar
Unrecorded maker
19th century · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Horse with Jockey; Horse Galloping on the Right Foot, the Back Left Foot Only Touching the Ground
Edgar Degas (d. 1917)
modeled possibly before 1871, cast 1920 · Bronze
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.