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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    339 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    368 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 5,156 matching records exist across the two collections.

Results for "Husband and Wife"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Momostecan husband and wife, Momostenango

Ann Parker (d. 2022)

1970s · Gelatin silver print

In copyright

live
The MetSimilar
Husband and Wife by an unrecorded maker, The Cleveland Museum of Art

Husband and Wife

Unrecorded maker

c. 1860–65 · Photograph, Two ambrotypes with hand-tinting

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night by Tara 1, The Cleveland Museum of Art

The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 1

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of Ernestine Nadar, the artist's wife, wearing fur stole by Nadar, The Cleveland Museum of Art

Portrait of Ernestine Nadar, the artist's wife, wearing fur stole

Nadar (d. 1910)

c. 1880–83 · Photograph, uncut sheet of three matte gelatin silver carte-de-visites

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night by an unrecorded maker, The Cleveland Museum of Art

Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night by an unrecorded maker, The Cleveland Museum of Art

Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night by an unrecorded maker, The Cleveland Museum of Art

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night by an unrecorded maker, The Cleveland Museum of Art

Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night by an unrecorded maker, The Cleveland Museum of Art

The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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