Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    374 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Hussard, France, from the Famous Ships s"12 records

Institutions answered newest-first by record, interleaved

View of Vienne on the Rhone by Hendrick (Cornelisz) Vroom, The Metropolitan Museum of Art

View of Vienne on the Rhone

Hendrick (Cornelisz) Vroom (d. 1640)

ca. 1587–89 · Pen and brown ink; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
“America,” from the series Five Nations by Utagawa Yoshimori, The Metropolitan Museum of Art

“America,” from the series Five Nations

Utagawa Yoshimori (d. 1884)

1860 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
Fête de S. A. Ismaïl Pacha à bord des bateaux de LL. A A. les princes, janvier 1867 by Gustave Le Gray, The Metropolitan Museum of Art

Fête de S. A. Ismaïl Pacha à bord des bateaux de LL. A A. les princes, janvier 1867

Gustave Le Gray (d. 1884)

1867 · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Arethuse, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes by Allen & Ginter, The Metropolitan Museum of Art

Arethuse, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes

Allen & Ginter

1895 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
Hussard, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes by Allen & Ginter, The Metropolitan Museum of Art

Hussard, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes

Allen & Ginter

1895 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar
Jean Bart, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes by Allen & Ginter, The Metropolitan Museum of Art

Jean Bart, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes

Allen & Ginter

1895 · Albumen photograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 26: the dictator leaving Mexico on the ship El Piranga, with some figures waving goodbye to 30 years of peace and others throwing rocks, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Alfredo Zalce (d. 2003)

1945 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Francisco Mora (d. 2002)

1947 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 77: the sinking of the ship Potrero del Llano by the Nazis on 13 May 1942, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Ignacio Aguirre (d. 1990)

1947 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Trees (1)

Ellsworth Kelly (d. 2015)

1950 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Trees (2)

Ellsworth Kelly (d. 2015)

1950 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Trees (3)

Ellsworth Kelly (d. 2015)

1950 · Graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.