Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    522 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 41 matching records exist across the two collections.

Results for "I tried to escape from this philological"12 records

Institutions answered newest-first by record, interleaved

Armor (<i>Nimai-Dō Gusoku</i>) with Box by an unrecorded maker, The Metropolitan Museum of Art

Armor (<i>Nimai-Dō Gusoku</i>) with Box

Unrecorded maker

late 16th–early 17th century · Iron, leather, lacquer, textile, wood, yak hair, boar bristle, hemp

Cleared · Public Domain

live
The MetSimilar
Pilate Washing His Hands by Mattia Preti (Il Cavalier Calabrese), The Metropolitan Museum of Art

Pilate Washing His Hands

Mattia Preti (Il Cavalier Calabrese) (d. 1699)

1663 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Joseph Knibb, The Metropolitan Museum of Art

Longcase clock with calendar

Joseph Knibb (d. 1711)

ca. 1680–85 · Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
The Entrance to a Wood by Robert Walter Weir, The Metropolitan Museum of Art

The Entrance to a Wood

Robert Walter Weir (d. 1889)

1836 · Watercolor and graphite on buff wove paper

Cleared · Public Domain

live
The MetSimilar
I tried to escape from this philological discussion, from "Little Miseries of Human Life" by J. J. Grandville, The Metropolitan Museum of Art

I tried to escape from this philological discussion, from "Little Miseries of Human Life"

J. J. Grandville (d. 1847)

1843 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
I tried to escape from this philological discussion, from "Little Miseries of Human Life" by J. J. Grandville, The Metropolitan Museum of Art

I tried to escape from this philological discussion, from "Little Miseries of Human Life"

J. J. Grandville (d. 1847)

1843 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Harmonium by F. Kaufmann & Sohn, The Metropolitan Museum of Art

Harmonium

F. Kaufmann & Sohn

mid-19th century · Wood, various materials

Cleared · Public Domain

live
The MetSimilar
House Raising by William P. Chappel, The Metropolitan Museum of Art

House Raising

William P. Chappel (d. 1878)

1870s · Oil on slate paper

Cleared · Public Domain

live
The MetSimilar
Autumn Landscape with a Flock of Turkeys by Jean-François Millet, The Metropolitan Museum of Art

Autumn Landscape with a Flock of Turkeys

Jean-François Millet (d. 1875)

1872–73 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cad to the Man Wot Drives the Sovereign

William Heath ('Paul Pry') (d. 1840)

April 1829 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flight Into Egypt

Henry Ossawa Tanner (d. 1937)

1923 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lovers among Lilacs

Marc Chagall (d. 1985)

1930 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.