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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    277 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 335 matching records exist across the two collections.

Results for "Ichnographia (or groundplan) of the Arch"12 records

Institutions answered newest-first by record, interleaved

Arch with Running Vines, Leaves, and Fruit by an unrecorded maker, The Metropolitan Museum of Art

Arch with Running Vines, Leaves, and Fruit

Unrecorded maker

6th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Arch with Beasts by an unrecorded maker, The Metropolitan Museum of Art

Arch with Beasts

Unrecorded maker

ca. 1150–75 · Marble

Cleared · Public Domain

live
The MetSimilar
Groundplan of the Church of Saint John in ’s-Hertogenbosch by Pieter Jansz. Saenredam, The Metropolitan Museum of Art

Groundplan of the Church of Saint John in ’s-Hertogenbosch

Pieter Jansz. Saenredam (d. 1665)

1632 · Pen and brown ink, yellow, gray and red wash, over lead or graphite

Cleared · Public Domain

live
The MetSimilar
Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below) by Jan Goeree, The Metropolitan Museum of Art

Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray and brown wash, over red chalk, traces of black chalk; incised

Cleared · Public Domain

live
The MetSimilar
Arch Cittern by Jean Francois Tiphanon, The Metropolitan Museum of Art

Arch Cittern

Jean Francois Tiphanon

1782 · Wood, ivory

Cleared · Public Domain

live
The MetSimilar
Prayer Rug with Triple Arch Design by an unrecorded maker, The Metropolitan Museum of Art

Prayer Rug with Triple Arch Design

Unrecorded maker

probably late 18th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Prayer Rug with Triple Arch Design by an unrecorded maker, The Metropolitan Museum of Art

Prayer Rug with Triple Arch Design

Unrecorded maker

18th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Robinson's Arch, Jerusalem by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Robinson's Arch, Jerusalem

Joseph-Philibert Girault de Prangey (d. 1892)

1844 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
[Roman Arch at Orange] by Edouard Baldus, The Metropolitan Museum of Art

[Roman Arch at Orange]

Edouard Baldus (d. 1889)

1851 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Arc antique à Orange by Edouard Baldus, The Metropolitan Museum of Art

Arc antique à Orange

Edouard Baldus (d. 1889)

1853 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[Arch of the Argentarii, or, Goldsmith's Gate, Rome] by Unknown, The Metropolitan Museum of Art

[Arch of the Argentarii, or, Goldsmith's Gate, Rome]

Unknown

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ichnographia Rustica, or, The Nobleman, Gentleman, and Gardener's Recreation

Stephen Switzer (d. 1745)

1742 · Illustrations: engraving, woodcut

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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