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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    190 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 198 matching records exist across the two collections.

Results for "Ignis (Fire), from "The Elements" (copy)"12 records

Institutions answered newest-first by record, interleaved

Fire, from "The Four Elements" (Les Quatre Eléments) by Abraham Bosse, The Metropolitan Museum of Art

Fire, from "The Four Elements" (Les Quatre Eléments)

Abraham Bosse (d. 1676)

ca. 1630 · Etching

Cleared · Public Domain

live
The MetSimilar
Fire, from "The Elements" by Johann Justin Preissler, The Metropolitan Museum of Art

Fire, from "The Elements"

Johann Justin Preissler (d. 1771)

1735 · Engraving

Cleared · Public Domain

live
The MetSimilar
Fire, from The Four Elements by Pierre Alexandre Aveline, The Metropolitan Museum of Art

Fire, from The Four Elements

Pierre Alexandre Aveline (d. 1760)

1738–49 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ignis (Fire), from "The Four Elements"

Hendrick Goltzius (d. 1617)

1586 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fire, from The Four Elements

Jacques de Gheyn II (d. 1629)

1595 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fire, from "The Four Elements"

Jacques de Gheyn II (d. 1629)

ca. 1595–97 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aer (Air), from "The Elements" (copy)

Hendrick Goltzius (d. 1617)

after 1597 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aqua (Water), from "The Elements" (copy)

Hendrick Goltzius (d. 1617)

after 1597 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ignis (Fire), from "The Elements" (copy)

Hendrick Goltzius (d. 1617)

after 1597 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Terra (Earth), from "The Elements" (copy)

Hendrick Goltzius (d. 1617)

after 1597 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fire from the Elements

Nicolaes de Bruyn (d. 1656)

1590–1656 · Engraving; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fire, from The Four Elements

Pierre Alexandre Aveline (d. 1760)

18th century · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.