Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    204 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 586 matching records exist across the two collections.

Results for "Ikẹ̀gòbọ̀ (Altar to the Hand)"12 records

Institutions answered newest-first by record, interleaved

Terracotta statuette fragment of a deer sacrificed at an altar to Artemis by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette fragment of a deer sacrificed at an altar to Artemis

Unrecorded maker

2nd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing

Unrecorded maker

ca. 1180 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Altar to the Sun Warrior by Mexico Nahua artist(s), The Metropolitan Museum of Art

Altar to the Sun Warrior

Mexico Nahua artist(s)

1450-1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Design for an Altar Surmounted by a Crucifix in Four Different Views by Vincenzo de' Rossi, The Metropolitan Museum of Art

Design for an Altar Surmounted by a Crucifix in Four Different Views

Vincenzo de' Rossi (d. 1587)

1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work

Cleared · Public Domain

live
The MetSimilar
Ikẹ̀gòbọ̀ (Altar to the Hand) by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

late 18th century · Bronze

Cleared · Public Domain

live
The MetSimilar
The Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand) by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

The Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

18th–19th century · Brass

Cleared · Public Domain

live
The MetSimilar
Ikẹ̀gòbọ̀ (Altar to the Hand) by Ìgbèsànmwà (ivory- and wood- carving guild) artists, The Metropolitan Museum of Art

Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgbèsànmwà (ivory- and wood- carving guild) artists

19th century · Wood, sacrificial materials

Cleared · Public Domain

live
The MetSimilar
Base from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand) by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Base from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

19th century · Brass

Cleared · Public Domain

live
The MetSimilar
Ọ́bà with Sacrificial Animals from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand) by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Ọ́bà with Sacrificial Animals from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

19th century · Brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 16b: Mucius Scaevola; the Roman youth, left, placing his hand on a fire burning on an altar; a woman on the right extending her hand toward the altar

Anonymous

1550–1650 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Queen Victoria Taking the Oath to Maintain the Protestant Faith

William Henry Egleton (d. 1866)

May 2, 1853 · Mixed method engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ikẹ̀gòbọ̀ (Altar to the Hand)

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.