
Terracotta statuette fragment of a deer sacrificed at an altar to Artemis
Unrecorded maker
2nd century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
204 ms. The Metropolitan Museum of Art, Collection API (Open Access)
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 586 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta statuette fragment of a deer sacrificed at an altar to Artemis
Unrecorded maker
2nd century BCE · Terracotta
Cleared · Public Domain
live
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in Blessing
Unrecorded maker
ca. 1180 · Tempera, gold, and ink on parchment
Cleared · Public Domain
live
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
live
Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi (d. 1587)
1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Cleared · Public Domain
live
Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
late 18th century · Bronze
Cleared · Public Domain
live
The Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
18th–19th century · Brass
Cleared · Public Domain
live
Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgbèsànmwà (ivory- and wood- carving guild) artists
19th century · Wood, sacrificial materials
Cleared · Public Domain
live
Base from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
19th century · Brass
Cleared · Public Domain
live
Ọ́bà with Sacrificial Animals from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
19th century · Brass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 16b: Mucius Scaevola; the Roman youth, left, placing his hand on a fire burning on an altar; a woman on the right extending her hand toward the altar
Anonymous
1550–1650 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Queen Victoria Taking the Oath to Maintain the Protestant Faith
William Henry Egleton (d. 1866)
May 2, 1853 · Mixed method engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
19th–mid-20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.