
Il Carnevale Italiano Mascherato Oue si Veggono in Figura Varie Inuetione di capritii Fra(nces) Bert(ell)
Francesco Bertelli (d. 1650)
1642 · Book with 24 engraved plates, including title page
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
455 ms. The Metropolitan Museum of Art, Collection API (Open Access)
407 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Il Carnevale Italiano Mascherato Oue si Veggono in Figura Varie Inuetione di capritii Fra(nces) Bert(ell)
Francesco Bertelli (d. 1650)
1642 · Book with 24 engraved plates, including title page
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Fontane delle Ville di Frascati nel Tuscolano (...)
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Fontane di Roma nelle Piazze e Luoghi publici della Citta (...)
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Teatro Fabrich[e] di Roma
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corsa dei Cavalli, plate 11 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corsa dei Cavalli, plate 12 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
End of Carnival, plate 20 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Moccoletti, plate 14 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Moccoletti, plate 17 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Il Carnevale di Roma
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Piazza del Popolo, plate 5 from "Il Carnevale di Roma"
Count Karel Gustav Hjalmar de Mörner (d. 1837)
1820 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.