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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    696 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    454 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Illuminated opening page (folio 1 verso)"12 records

Institutions answered newest-first by record, interleaved

Gospel Book by an unrecorded maker, The Metropolitan Museum of Art

Gospel Book

Unrecorded maker

ca. 825–50 · Ink and opaque watercolor on parchment; modern leather binding

Cleared · Public Domain

live
The MetSimilar
Text, folio 1 (verso), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 1 (verso), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
"Hare", Folio from the Mantiq al-wahsh (Speech of the Wild Animal) of Ka'b al-Ahbar by Ka'b al-Ahbar, The Metropolitan Museum of Art

"Hare", Folio from the Mantiq al-wahsh (Speech of the Wild Animal) of Ka'b al-Ahbar

Ka'b al-Ahbar (d. 652)

11th–12th century · Opaque watercolor on paper

Cleared · Public Domain

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The MetSimilar
Illuminated opening page (folio 1 verso) and 131 folios with Persian text, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Illuminated opening page (folio 1 verso) and 131 folios with Persian text, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4; margins added with rebinding, about 1900 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium from the Andalusian Pink Qur'an by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from the Andalusian Pink Qur'an

Unrecorded maker

ca. 13th century · Ink, gold, silver, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Qur'an Manuscript Folio (Verso); Right folio of Double-Page Illuminated Frontispiece by an unrecorded maker, The Cleveland Museum of Art

Qur'an Manuscript Folio (Verso); Right folio of Double-Page Illuminated Frontispiece

Unrecorded maker

1500s · Manuscript, ink, gold, and colors on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Hours of Jeanne d'Evreux, Queen of France by Jean Pucelle, The Metropolitan Museum of Art

The Hours of Jeanne d'Evreux, Queen of France

Jean Pucelle (d. 1334)

ca. 1324–28 · Grisaille, tempera, and ink on vellum

Cleared · Public Domain

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The MetSimilar
Opening Folio of the 26th Volume of the  "Anonymous Baghdad Qur'an" by Ahmad ibn al-Suhrawardi al-Bakri, The Metropolitan Museum of Art

Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an"

Ahmad ibn al-Suhrawardi al-Bakri (d. 1345)

706 AH/1306–7 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
"Purple Amaranth and Watermelon", Folio from a Dispersed Nuzhatnama-i ‘Ala’i of Shahmardan ibn Abi’l Khayr by Shamardan ibn Abi 'l Khayr, The Metropolitan Museum of Art

"Purple Amaranth and Watermelon", Folio from a Dispersed Nuzhatnama-i ‘Ala’i of Shahmardan ibn Abi’l Khayr

Shamardan ibn Abi 'l Khayr (d. 1125)

early 15th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja by Ja'far Baisunghuri, The Metropolitan Museum of Art

Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja

Ja'far Baisunghuri (d. 1460)

dated 835 AH/1431–32 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja by Ja'far Baisunghuri, The Metropolitan Museum of Art

Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja

Ja'far Baisunghuri (d. 1460)

835 AH/1431–32 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Opening Page from a Kalila wa Dimna by an unrecorded maker, The Metropolitan Museum of Art

Opening Page from a Kalila wa Dimna

Unrecorded maker

second quarter 16th century · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar

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