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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    525 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    403 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 86 matching records exist across the two collections.

Results for "Illumination Excised from a Choir Book:"12 records

Institutions answered newest-first by record, interleaved

Manuscript Illumination with the Beheading of Saint Paul in an Initial S, from a Gradual by Master of Bagnacavallo, The Metropolitan Museum of Art

Manuscript Illumination with the Beheading of Saint Paul in an Initial S, from a Gradual

Master of Bagnacavallo (d. 1299)

ca. 1278 · Tempera and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Illumination Excised from a Choir Book: Two Female Angels by Niccolo di ser Sozzo Tegliacci, The Cleveland Museum of Art

Illumination Excised from a Choir Book: Two Female Angels

Niccolo di ser Sozzo Tegliacci

c. 1332 · Manuscript, tempera and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple. by Lorenzo Monaco (Piero di Giovanni), The Metropolitan Museum of Art

Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.

Lorenzo Monaco (Piero di Giovanni) (d. 1425)

1408–11 · Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum

Cleared · Public Domain

live
The MetSimilar
Initial D[eus in loco] with a Prophet Excised from a Gradual by Lorenzo Monaco, The Cleveland Museum of Art

Initial D[eus in loco] with a Prophet Excised from a Gradual

Lorenzo Monaco (d. 1425)

1409–10 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Illumination with Four Saints in an Initial O, from a Choir Book by Master of the Murano Gradual, The Metropolitan Museum of Art

Manuscript Illumination with Four Saints in an Initial O, from a Choir Book

Master of the Murano Gradual (d. 1460)

1440–50 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul by an unrecorded maker, The Cleveland Museum of Art

Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul

Unrecorded maker

c. 1325 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Illumination with Initial Q, from a Choir Book by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Initial Q, from a Choir Book

Unrecorded maker

first half 15th century · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Historiated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets by an unrecorded maker, The Cleveland Museum of Art

Historiated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets

Unrecorded maker

c. 1300–1340 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with All Saints in an Initial V, from an Antiphonary

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Initial M[issus est] Excised from an Antiphonary: The Annunciation by Stefano da Verona, The Cleveland Museum of Art

Initial M[issus est] Excised from an Antiphonary: The Annunciation

Stefano da Verona (d. 1438)

1430–1438 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty by an unrecorded maker, The Cleveland Museum of Art

Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty

Unrecorded maker

c. 1330–1350 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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