
Krishna Dances on the Head of Kaliya; Illustration to the Harivamsa (Story of Hari)
Unrecorded maker
ca. 1590–95 · Opaque color and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
186 ms. The Metropolitan Museum of Art, Collection API (Open Access)
607 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,071 matching records exist across the two collections.
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Krishna Dances on the Head of Kaliya; Illustration to the Harivamsa (Story of Hari)
Unrecorded maker
ca. 1590–95 · Opaque color and gold on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Approach to the Beautiful Castle (illustration, "Prince Life: A Story for My Boy")
Samuel Putnam Avery Sr. (d. 1904)
1855 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prince Life and Giant Necessity (illustration, "Prince Life: A Story for My Boy")
Samuel Putnam Avery Sr. (d. 1904)
1855 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prince Life and the Dwarf (illustration, "Prince Life: A Story for My Boy")
Samuel Putnam Avery Sr. (d. 1904)
1855 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 161)
Sir John Everett Millais (d. 1896)
March 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 225)
Sir John Everett Millais (d. 1896)
April 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 353)
Sir John Everett Millais (d. 1896)
June 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 481)
Sir John Everett Millais (d. 1896)
August 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 545)
Sir John Everett Millais (d. 1896)
September 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 609)
Sir John Everett Millais (d. 1896)
October 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration to Mistress and Maid (in "Good Words for 1862," p. 673)
Sir John Everett Millais (d. 1896)
November 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration for "Crab Story"
Benjamin Henry Day Jr. (d. 1916)
19th–20th century · Watercolor and black ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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