Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    671 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    353 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 220 matching records exist across the two collections.

Results for "Illustration for "The Six Dead Secrets""11 records

Institutions answered newest-first by record, interleaved

Papyrus inscribed with six "Osiris Liturgies" by an unrecorded maker, The Metropolitan Museum of Art

Papyrus inscribed with six "Osiris Liturgies"

Unrecorded maker

ca. 332–200 BCE · Papyrus, ink

Cleared · Public Domain

live
The MetSimilar
Caring for the Dead, illustration from Speculum Passionis, 1507 by Hans Baldung (called Hans Baldung Grien), The Metropolitan Museum of Art

Caring for the Dead, illustration from Speculum Passionis, 1507

Hans Baldung (called Hans Baldung Grien) (d. 1545)

1507 · Woodcut with letterpress text verso

Cleared · Public Domain

live
The MetSimilar
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring by Bernard van Orley, The Metropolitan Museum of Art

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring

Bernard van Orley (d. 1542)

ca. 1515 · Wool, silk (16-20 warps per inch, 6-8 per cm.)

Cleared · Public Domain

live
The MetSimilar
Anointment of the dead Christ by Fra Domenico Portigiani, The Metropolitan Museum of Art

Anointment of the dead Christ

Fra Domenico Portigiani (d. 1650)

17th century? · Bronze

Cleared · Public Domain

live
The MetSimilar
Daphnis Running toward Chloe by baron François Gérard, The Metropolitan Museum of Art

Daphnis Running toward Chloe

baron François Gérard (d. 1837)

ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper

Cleared · Public Domain

live
The MetSimilar
Illustration design for "The Economy of Human Life" by Frank Howard, The Metropolitan Museum of Art

Illustration design for "The Economy of Human Life"

Frank Howard (d. 1866)

1834 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alice and the White Knight, illustration for "Through the Looking-Glass and What Alice Found There"

Peter Newell (d. 1924)

1902 · Watercolor and gouache on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales")

William Heath Robinson (d. 1944)

ca. 1923 · Pen and black ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales"

William Heath Robinson (d. 1944)

ca. 1923 · Watercolor and gouache (bodycolor)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Six male recruits for the Santa Maria standing in a line, illustration for page 22 of "The Book of Christopher Columbus: a Lyrical Drama in Two Parts"

Jean Charlot (d. 1979)

ca. 1929–30 · Printed color illustration; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

'Asi', two young children eating on the floor in front of a table upon which is a dead weevil, illustration for the 'Monografía del Gorgojo'

Leopoldo Méndez (d. 1969)

1942 · Linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.