
The Marriage of Henry the VIIth and Elizabeth of York
Jan Gossart (called Mabuse) (d. 1532)
February 15, 1826 · Etching and engraving on chine collé
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
472 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,872 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Marriage of Henry the VIIth and Elizabeth of York
Jan Gossart (called Mabuse) (d. 1532)
February 15, 1826 · Etching and engraving on chine collé
Cleared · Public Domain
live![[Pair of Early Stereograph Views of London, England] by Views of London, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP73177.jpg)
[Pair of Early Stereograph Views of London, England]
Views of London
1850s–70s · Albumen silver prints
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Funeral Monument to Henry Bourchier (from Francis Sandford, "A Genealogical History of the Kings of England," London, 1677)
Wenceslaus Hollar (d. 1677)
1677 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Series containing forty-four engravings in colours, of fashionable furniture...
Rudolph Ackermann, London (d. 1832)
1823 · Hand colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna at the Conclusion of the Carnival of 1826; in 13 highly colored plates with the description of the entertainments on that occasion.
Rudolph Ackermann, London (d. 1832)
1828 · Illustrations: engravings, hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration of London in England (Igirisukoku rondon zu)
Utagawa Yoshitora (d. 1880)
1866 · Triptych of woodblock prints; ink and color on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration of London, England (Igirisukoku rondon zu)
Utagawa Yoshitora (d. 1880)
3rd month, 1866 · Triptych of woodblock prints; ink and color on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 14 Stereograph Views of the 1862 London International Exposition, England]
London Stereoscopic and Photographic Company
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 6 Stereograph Views of the 1857 Art Treasures Exhibition in Manchester, England]
London Stereoscopic Company
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of 77 Stereograph Views of the 1862 London International Exposition, England]
London Stereoscopic and Photographic Company
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of Stereograph Views of the 1871 London International Exhibition, England]
London Stereoscopic Company
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tower of London, London, England
Benneville Lloyd Singley (d. 1938)
1850s–1910s · Albumen silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.