Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    330 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 98 matching records exist across the two collections.

Results for "Illustration of Sign or Badge (on Banner"12 records

Institutions answered newest-first by record, interleaved

Francesco I d'Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
The Seige of Alessandria Begins, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

The Seige of Alessandria Begins, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Unidentified society badge by an unrecorded maker, The Metropolitan Museum of Art

Unidentified society badge

Unrecorded maker

ca. 1760 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Illustration of Sign or Badge (on Banner, Costume, etc.) Proscribed for Subjects of the Tokugawa by Baron Matsudaira, The Metropolitan Museum of Art

Illustration of Sign or Badge (on Banner, Costume, etc.) Proscribed for Subjects of the Tokugawa

Baron Matsudaira

ca. 1794 · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Execution of Mary, Queen of Scots, from "Illustrated London News" by William Luson Thomas, The Metropolitan Museum of Art

Execution of Mary, Queen of Scots, from "Illustrated London News"

William Luson Thomas (d. 1900)

February 23, 1861 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Two bound volumes of issues of the Mexican newspaper 'El Hijo del Ahuizote' by Daniel Cabrera Rivera, The Metropolitan Museum of Art

Two bound volumes of issues of the Mexican newspaper 'El Hijo del Ahuizote'

Daniel Cabrera Rivera (d. 1914)

1885–89

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

How to know the wild flowers : a guide to the names, haunts, and habits of our common wild-flowers

Margaret Neilson Armstrong (d. 1944)

1899

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Photographic Identification Badge from Kidde Precision Tool Corporation]

Unknown

1910s–50s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Photographic Identification Badge from N. Y. Ship]

Unknown

1910s–50s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Photographic Identification Badge from The Ohio Rubber Company]

Unknown

1910s–50s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shield

Unrecorded maker

19th–20th century · Leather, wood, pigment, fur

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.