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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    705 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    762 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 646 matching records exist across the two collections.

Results for "Illustration to the poem “The Flower’s R"12 records

Institutions answered newest-first by record, interleaved

"The Beggar who Professed his Love for a Prince", Folio 28r from a Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar, The Metropolitan Museum of Art

"The Beggar who Professed his Love for a Prince", Folio 28r from a Mantiq al-Tayr (Language of the Birds)

Farid al-Din `Attar (d. 1220)

dated 892 AH/1486 CE · Ink, opaque watercolor, silver, and gold on paper

Cleared · Public Domain

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The MetSimilar
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar, The Metropolitan Museum of Art

"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds)

Farid al-Din `Attar (d. 1220)

ca. 1600 · Ink, opaque watercolor, silver, and gold on paper

Cleared · Public Domain

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The MetSimilar
Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets by Suzuki Harunobu, The Metropolitan Museum of Art

Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets

Suzuki Harunobu (d. 1770)

ca. 1768 · Woodblock print; ink and color on paper with embossing (karazuri)

Cleared · Public Domain

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The MetSimilar
Illustration to the poem “The Flower’s Revenge” (Der Blumen Rache – Ferdinand Freiligrath) by Eugen Neureuther, The Metropolitan Museum of Art

Illustration to the poem “The Flower’s Revenge” (Der Blumen Rache – Ferdinand Freiligrath)

Eugen Neureuther (d. 1882)

1852 · Etching

Cleared · Public Domain

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The MetSimilar
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin and His Wife Pledge to Renew Their Wedding Vows by John Whetten Ehninger, The Metropolitan Museum of Art

Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin and His Wife Pledge to Renew Their Wedding Vows

John Whetten Ehninger (d. 1889)

1857 · Graphite and gray ink on Bristol board

Cleared · Public Domain

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The MetSimilar
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin on His Horse Stampeding Back to London by John Whetten Ehninger, The Metropolitan Museum of Art

Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin on His Horse Stampeding Back to London

John Whetten Ehninger (d. 1889)

1857 · Graphite and gray ink on Bristol board

Cleared · Public Domain

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The MetSimilar
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin Sends His Wife and Family before Him to the Church to Renew Their Wedding Vows by John Whetten Ehninger, The Metropolitan Museum of Art

Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin Sends His Wife and Family before Him to the Church to Renew Their Wedding Vows

John Whetten Ehninger (d. 1889)

1857 · Graphite and gray ink on Bristol board

Cleared · Public Domain

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The MetSimilar
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": The Calenderer of Ware Offers John Gilpin His Hat and Periwig by John Whetten Ehninger, The Metropolitan Museum of Art

Illustration to William Cowper's Poem "The Diverting History of John Gilpin": The Calenderer of Ware Offers John Gilpin His Hat and Periwig

John Whetten Ehninger (d. 1889)

1857 · Graphite and gray ink on Bristol board

Cleared · Public Domain

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The MetSimilar
The Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862) by James McNeill Whistler, The Metropolitan Museum of Art

The Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862)

James McNeill Whistler (d. 1903)

1862 · Wood engraving; proof

Cleared · Public Domain

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The MetSimilar
"Will had her to the wine," illustration to "Phillada Flouts Me" by Edwin Austin Abbey, The Metropolitan Museum of Art

"Will had her to the wine," illustration to "Phillada Flouts Me"

Edwin Austin Abbey (d. 1911)

1886 · Pen and ink

Cleared · Public Domain

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The MetSimilar
The Sunday Walk, illustration to "Sally in Our Alley" by Edwin Austin Abbey, The Metropolitan Museum of Art

The Sunday Walk, illustration to "Sally in Our Alley"

Edwin Austin Abbey (d. 1911)

ca. 1886 · Pen and ink on cardboard

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration to: The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibrastic Poem in Eight Cantos by Quiz

Thomas Rowlandson (d. 1827)

1815 · Hand-colored etching and aquatint

In copyright

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