Imaginary Coastal Landscape with Ruins
Domenico Campagnola (d. 1564)
1500–1564 · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
359 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 58 matching records exist across the two collections.
Results for "Imaginary Hilly Landscape with Ruins"12 records
Institutions answered newest-first by record, interleaved
Imaginary Hilly Landscape with Ruins
Anonymous, Netherlandish, 16th century (d. 1600)
16th century · Brush and brown wash over traces of black chalk, heightened with white
Cleared · Public Domain
liveThe MetSimilar
Landscape with Cottage
Hendrick Goltzius (d. 1617)
ca. 1597–98 · Woodcut; second state
Cleared · Public Domain
liveThe MetSimilar
Dish with landscape and architectural ruins
Siro Antonio Africa (d. 1735)
ca. 1688–1710 · Tin-glazed earthenware (maiolica)
Cleared · Public Domain
liveThe MetSimilar
Imaginary Landscape with Classical Ruins
Carlo Fantaccini (d. 1750)
1700–50 · Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Cleared · Public Domain
liveThe MetSimilar
Imaginary Landscape with Classical Ruins; Fountain in Foreground
Carlo Fantaccini (d. 1750)
1700–50 · Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint
Cleared · Public Domain
liveThe MetSimilar
Ruined Castle and Trees
Alexander Cozens (d. 1786)
ca. 1762 · Graphite, brush and black ink, gray and brown wash; laid down on original paper mount with gray wash
Cleared · Public Domain
liveThe MetSimilar
Fantastic Landscape
Francesco Guardi (d. 1793)
ca. 1765 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Fantastic Landscape
Francesco Guardi (d. 1793)
ca. 1765 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Fantastic Landscape
Francesco Guardi (d. 1793)
ca. 1765 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Capriccio with Roman Ruins
Francesco Guardi (d. 1793)
18th century · Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Huma Bhabha (d. 9999)
2010 · Colored inks on gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.