Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
305 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 189 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris (d. 1730)
1703 · Etching
Cleared · Public Domain
live
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal) (d. 1768)
1741 · Etching; undivided plate, only state
Cleared · Public Domain
live
A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal) (d. 1768)
1768 · Oil on canvas
Cleared · Public Domain
live
Grand Canal, Venice
Anonymous, 19th century (d. 1900)
second half 19th century · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal) (d. 1768)
1741 · Etching; divided plate, only state (Bromberg)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe De La Nouvelle Yorck (View of New York)
Anonymous, French, 18th century (d. 1800)
1775–76 · Hand-colored etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Mark's, Venice, No. 1
Sir David Young Cameron (d. 1945)
1895 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Zattere, Venice
Sir Muirhead Bone (d. 1953)
1912 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venice, Afternoon, from ¦Venetian Views¦
Howard Hodgkin (d. 2017)
1995 · Carborundum relief print with arcrylic paint (hand coloring)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venice, Evening, from ¦Venetian Views¦
Howard Hodgkin (d. 2017)
1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on sixteen sheets of paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venice, Morning, from ¦Venetian Views¦
Howard Hodgkin (d. 2017)
1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on sixteen sheets of paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venice, Night, from ¦Venetian Views¦
Howard Hodgkin (d. 2017)
1995 · Etching, lift ground aquatint, and carborundum relief etching with matte opaque paint (hand coloring) on two sheets of paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.