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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    445 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    462 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,062 matching records exist across the two collections.

Results for "In Black Country, from "L'Estampe Modern"12 records

Institutions answered newest-first by record, interleaved

The Draped Figure Seated, from "L'Estampe Originale" by James McNeill Whistler, The Metropolitan Museum of Art

The Draped Figure Seated, from "L'Estampe Originale"

James McNeill Whistler (d. 1903)

October–December 1893 · Transfer lithograph with stumping; only state (Chicago); printed in black ink

Cleared · Public Domain

live
The MetSimilar
The Road from Versailles to Louveciennes by Alfred Sisley, The Metropolitan Museum of Art

The Road from Versailles to Louveciennes

Alfred Sisley (d. 1899)

probably 1879 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Demonstration (La Manifestation), from "L'Estampe Originale"

Félix Vallotton (d. 1925)

1893 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Siesta, or Convalescence, from "L'Estampe Originale"

Edouard Vuillard (d. 1940)

1893 · Lithograph in black and beige ink; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Under the Arch of the Bridge (Sous l'Arche du Pont), from "L'Estampe Originale"

William Nicholson (d. 1949)

October–December 1894 · Color lithograph; printed in black with touches of blue

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In Black Country, from "L'Estampe Moderne"

Jules Gustave Besson (d. 1968)

1899 · Chromolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Robes Modèles Historiques: Country Woman

Anonymous, French, 19th century (d. 1900)

19th century · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Black Country

Edward Alexander Wadsworth (d. 1949)

1919 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Black Country

Edward Alexander Wadsworth (d. 1949)

1919 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Black Country

Edward Alexander Wadsworth (d. 1949)

1919 · Woodcut on coated orange paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wooded Country Lane with Figure in Distance (from Cropsey Album)

John Henry Hill (d. 1922)

1922 · Watercolor, black chalk, and reserve on white, heavy weight, finely textured, wove paper (oval cut)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trip Across Country

William Wegman (d. 9999)

1973 · Single-channel digital video, transferred from Sony AV 3600 1/2-inch video tape, black-and-white, sound, 50 sec.

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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