
The Draped Figure Seated, from "L'Estampe Originale"
James McNeill Whistler (d. 1903)
October–December 1893 · Transfer lithograph with stumping; only state (Chicago); printed in black ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
445 ms. The Metropolitan Museum of Art, Collection API (Open Access)
462 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,062 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Draped Figure Seated, from "L'Estampe Originale"
James McNeill Whistler (d. 1903)
October–December 1893 · Transfer lithograph with stumping; only state (Chicago); printed in black ink
Cleared · Public Domain
live
The Road from Versailles to Louveciennes
Alfred Sisley (d. 1899)
probably 1879 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Demonstration (La Manifestation), from "L'Estampe Originale"
Félix Vallotton (d. 1925)
1893 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Siesta, or Convalescence, from "L'Estampe Originale"
Edouard Vuillard (d. 1940)
1893 · Lithograph in black and beige ink; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Under the Arch of the Bridge (Sous l'Arche du Pont), from "L'Estampe Originale"
William Nicholson (d. 1949)
October–December 1894 · Color lithograph; printed in black with touches of blue
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Black Country, from "L'Estampe Moderne"
Jules Gustave Besson (d. 1968)
1899 · Chromolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robes Modèles Historiques: Country Woman
Anonymous, French, 19th century (d. 1900)
19th century · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut on coated orange paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wooded Country Lane with Figure in Distance (from Cropsey Album)
John Henry Hill (d. 1922)
1922 · Watercolor, black chalk, and reserve on white, heavy weight, finely textured, wove paper (oval cut)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trip Across Country
William Wegman (d. 9999)
1973 · Single-channel digital video, transferred from Sony AV 3600 1/2-inch video tape, black-and-white, sound, 50 sec.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.