The Agony in the Garden
Unrecorded maker
ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
431 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 163,319 matching records exist across the two collections.
Results for "In the Generalife"12 records
Institutions answered newest-first by record, interleaved
Market Scene in City with the Parable of the Laborers in the Vineyard in the Background
Jacob Matham (d. 1631)
1603
Cleared · Public Domain
liveThe MetSimilar
Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger (d. 1678)
1630s · Oil on copper
Cleared · Public Domain
liveThe MetSimilar
The Agony in the Garden
Eugène Delacroix (d. 1863)
1823–24 · Brush and brown wash over graphite
Cleared · Public Domain
liveThe MetSimilar
Madonna and Child with the Young Saint John the Baptist
Italy, In the manner of Raphael (d. 1829)
late 18th–early 19th century (?) · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
In the Generalife
John Singer Sargent (d. 1925)
1912 · Watercolor, wax crayon, and graphite on white wove paper
Cleared · Public Domain
liveThe MetSimilar
Jane de Glehn, Study for "In the Generalife"
John Singer Sargent (d. 1925)
1912 · Graphite on off-white wove paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Snake in the Grass
Samuel William Reynolds, the elder (d. 1835)
1834 · Mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gardens of the Generalife, Alhambra
Joseph Pennell (d. 1926)
1896 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Generalife. Gallery in the Patio of the Aceguia]
Rafael Garzón
1880s–90s · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Patio of the Acequia in the Generalife]
Rafael Garzón
1880s–90s · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Surrealism : the octopus-typewriter
Surrealist Movement in the United States
1978
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.