
Menat counterpoise for attachment to the missing aegis of a goddess
Unrecorded maker
ca. 800–525 BCE · Cupreous metal, gold inlay
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
227 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Menat counterpoise for attachment to the missing aegis of a goddess
Unrecorded maker
ca. 800–525 BCE · Cupreous metal, gold inlay
Cleared · Public Domain
live
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Unrecorded maker
late 13th century · Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper
Cleared · Public Domain
live
Possession of the Shamaness Tajihi no Ayako by the Spirit of Sugawara no Michizane, from Illustrated Legends of the Kitano Tenjin Shrine
Unrecorded maker
ca. 1300 · Section of handscroll mounted as hanging scroll; ink on paper
Cleared · Public Domain
live.jpg)
Courtiers Visit Sugawara no Michizane’s Mortuary Temple, from Illustrated Legends of the Kitano Tenjin Shrine
Unrecorded maker
ca. 1300 · Section of a handscroll, from a set; ink on paper
Cleared · Public Domain
live
Bhairavi Ragini: Folio from a ragamala series (Garland of Musical Modes)
Unrecorded maker
ca. 1640–50 · Opaque watercolor, silver, gold and ink on paper
Cleared · Public Domain
live
Tenjin Travelling to China
Ike no Taiga (d. 1776)
1763 · Hanging scroll; ink on paper
Cleared · Public Domain
live
The Arched Bridge at Kameido Tenjin Shrine (Kameido Tenjin Taikobashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai (d. 1849)
ca. 1830 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
In the Kameido Tenjin Shrine Compound
Utagawa Hiroshige (d. 1858)
1856 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Tenmangū Shrine at Kameido in Snow
Utagawa Hiroshige (d. 1858)
ca. 1833–43 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Watchtower Hill (Ehon monomigaoka) 絵本物見岡
Torii Kiyonaga 鳥居清長 (d. 1815)
1785 · Two volumes; polychrome woodblock printed book; ink on paper
Cleared · Public Domain
live
Linga Temple Compound
Unrecorded maker
late 19th century · Ink, wash, and transparent watercolor on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ilé-orí (house for the head) shrine
Adeṣina compound sculptor and bead artist
19th–mid-20th century · Cloth, glass beads, cowrie shells, leather, mirrors
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.