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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    551 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 163,450 matching records exist across the two collections.

Results for "In the Meadow"12 records

Institutions answered newest-first by record, interleaved

Horses in the Meadow by Edgar Degas, The Metropolitan Museum of Art

Horses in the Meadow

Edgar Degas (d. 1917)

1891–92 · Softground etching, aquatint, and drypoint on laid paper; second state of three (unique impression)

Cleared · Public Domain

live
The MetSimilar
Rocky, Wooded Landscape with a Dell and Weir by Thomas Gainsborough, The Cleveland Museum of Art

Rocky, Wooded Landscape with a Dell and Weir

Thomas Gainsborough (d. 1788)

c. 1782–1783 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
In the Meadow by Auguste Renoir, The Metropolitan Museum of Art

In the Meadow

Auguste Renoir (d. 1919)

1888–92 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night by an unrecorded maker, The Cleveland Museum of Art

Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dance in the Meadow, from the series Monkeys (copy)

Peeter van der Borcht (d. 1608)

1600 · Engraving; first state

In copyright

live
The MetSimilar
The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night by an unrecorded maker, The Cleveland Museum of Art

The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Water Meadow

Sir Francis Seymour Haden (d. 1910)

1859 · Etching; first state of two (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar
The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night by an unrecorded maker, The Cleveland Museum of Art

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Meadow in Springtime – The Twin Lambs

Currier & Ives (d. 1907)

1867 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar
The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night by an unrecorded maker, The Cleveland Museum of Art

The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman playing a lute in the meadow

Hans Thoma (d. 1924)

1893 · Lithograph in black and green-gray ink on vellum paper

In copyright

live
The MetSimilar
Reading by Berthe Morisot, The Cleveland Museum of Art

Reading

Berthe Morisot (d. 1895)

1873 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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