
Entrance to a Coal Mine in the Valley of Wyoming, Pennsylvania (Entrance to a Coal Mine, Susquehanna)
Thomas Addison Richards (d. 1900)
1852 · Graphite and white chalk on brown wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
410 ms. The Metropolitan Museum of Art, Collection API (Open Access)
515 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,636 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Entrance to a Coal Mine in the Valley of Wyoming, Pennsylvania (Entrance to a Coal Mine, Susquehanna)
Thomas Addison Richards (d. 1900)
1852 · Graphite and white chalk on brown wove paper
Cleared · Public Domain
live
In the Valley of Wyoming, Pennsylvania (Interior of a Coal Mine, Susquehanna)
Thomas Addison Richards (d. 1900)
1852 · Graphite and white chalk on light brown wove paper
Cleared · Public Domain
live
The Valley of Wyoming—across from Plymouth (In the Valley of Wyoming)
Thomas Addison Richards (d. 1900)
1852 · Graphite on off-white wove paper
Cleared · Public Domain
live
The Delaware Valley
George Inness (d. 1894)
ca. 1863 · Oil on canvas
Cleared · Public Domain
live
Wyoming Valley, Pennsylvania
Jasper Francis Cropsey (d. 1900)
1864 · Oil on canvas
Cleared · Public Domain
live
The Valley of Wyoming
Jasper Francis Cropsey (d. 1900)
1865 · Oil on canvas
Cleared · Public Domain
live
Library Table
Rose Valley Shops (d. 1906)
1904 · White oak, stained
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cumberland Valley, from Bridgeport Heights opposite Harrisburg, Pennsylvania
Frances Flora Bond Palmer (d. 1876)
1865 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Side chair
Rose Valley Shops (d. 1906)
1901–1906 · Oak
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Overlooking the Valley
Edward Willis Redfield (d. 1965)
1911 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Monongahela River Valley, Pennsylvania
John Kane (d. 1934)
1931 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Valley of the Savery, Wyoming (upper Little Snake River)
John Taylor Arms (d. 1953)
1934 · Etching; trial proof XIV
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.