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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    289 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 335 matching records exist across the two collections.

Results for "In the Woods with Bryant, Longefellow, a"12 records

Institutions answered newest-first by record, interleaved

The Bryant Vase by Tiffany & Co., The Metropolitan Museum of Art

The Bryant Vase

Tiffany & Co. (d. 9999)

1876 · Silver and gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of William Cullen Bryant

Sanford Robinson Gifford (d. 1880)

1860 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Woods with Bryant, Longefellow, and Halleck

William Cullen Bryant (d. 1878)

1863 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Woods with Bryant, Longfellow and Halleck

John Augustus Hows (d. 1874)

1863 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists

William Cullen Bryant (d. 1878)

1872 · Illustrations: steel engraving and wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists

William Cullen Bryant (d. 1878)

1874 · Illustrations: steel engraving and wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

William Cullen Bryant

Peter Krammer (d. 1907)

ca. 1878–80 · Watercolor on ivory

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

October in the Woods

Charles Ephraim Burchfield (d. 1967)

1938–63 · Watercolor, gouache, chalk, and charcoal on joined papers, mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Into the Woods, Autumn, from "Into the Woods"

Howard Hodgkin (d. 2017)

2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Into the Woods, Spring, from "Into the Woods"

Howard Hodgkin (d. 2017)

2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Into the Woods, Summer, from "Into the Woods"

Howard Hodgkin (d. 2017)

2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Into the Woods, Winter, from "Into the Woods"

Howard Hodgkin (d. 2017)

2001–2 · Lift-ground, aquatint, and carborundum etching on 2 sheets of paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.