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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    230 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    952 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 38 matching records exist across the two collections.

Results for "Initial E from a Municipal Law Book: The"12 records

Institutions answered newest-first by record, interleaved

Shabti of Yuya by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Yuya

Unrecorded maker

ca. 1386–1347 BCE · Cedar, gold, paint

Cleared · Public Domain

live
The MetSimilar
Initial E from a Municipal Law Book: The Last Judgment by an unrecorded maker, The Cleveland Museum of Art

Initial E from a Municipal Law Book: The Last Judgment

Unrecorded maker

c. 1330 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Illumination with Tobit, Tobias, and the Archangel Raphael in an Initial O, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Tobit, Tobias, and the Archangel Raphael in an Initial O, from an Antiphonary

Unrecorded maker

mid-14th century · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual by Niccolò di Giacomo da Bologna, The Metropolitan Museum of Art

Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual

Niccolò di Giacomo da Bologna (d. 1403)

ca. 1394–1402 · Tempera, gold, and ink on parchment

Cleared · Public Domain

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The MetSimilar
Quarry (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Quarry (one of a pair)

Unrecorded maker

early 16th century · Stained glass

Cleared · Public Domain

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The MetSimilar
Essempio di recammi, page 26 (verso) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 26 (verso)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

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The MetSimilar
Essempio di recammi, title page (verso) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, title page (verso)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

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The MetSimilar
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 30 (recto) by Cesare Vecellio, The Metropolitan Museum of Art

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 30 (recto)

Cesare Vecellio (d. 1601)

1601 · Woodcut

Cleared · Public Domain

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The MetSimilar
Calligraphic Exercise in Spanish by Anonymous, The Metropolitan Museum of Art

Calligraphic Exercise in Spanish

Anonymous

early 17th century · Pen and black and brown ink.

Cleared · Public Domain

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The MetSimilar
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli by Alessandro Mazzinelli, The Metropolitan Museum of Art

Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli

Alessandro Mazzinelli (d. 1750)

1794

Cleared · Public Domain

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The MetSimilar
Vinaigrette by Taylor & Perry, The Metropolitan Museum of Art

Vinaigrette

Taylor & Perry

1834 · Silver

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

De Laniis et Phitonicis Mulierbus

Ulrich Molitor (d. 1501)

after January 10, 1489

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.