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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    407 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Initial I with Elimelech and Naomi: Leaf"8 records

Institutions answered newest-first by record, interleaved

Manuscript Leaf with King David in an Initial I, from a Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with King David in an Initial I, from a Psalter

Unrecorded maker

early 15th century · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Initial I with Elimelech and Naomi: Leaf from a Latin Bible by Johannes Grusch Atelier, The Cleveland Museum of Art

Initial I with Elimelech and Naomi: Leaf from a Latin Bible

Johannes Grusch Atelier

c. 1250 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Leaf with Initial A, from a Gradual by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with Initial A, from a Gradual

Unrecorded maker

second quarter 15th century · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with Initial I, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with Initial I, from an Antiphonary

Unrecorded maker

15th century · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Watch by Pierre Vernede, The Metropolitan Museum of Art

Watch

Pierre Vernede (d. 1680)

ca. 1650 · Case: rock crystal and enameled gold mounts; Dial: gold, champlevé enamel, and painted enamel; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Traveling clock watch with alarm by Thomas Tompion, The Metropolitan Museum of Art

Traveling clock watch with alarm

Thomas Tompion (d. 1713)

ca. 1680 · Case and dial: silver; Movement: gilded brass, partly blued steel, silver

Cleared · Public Domain

live
The MetSimilar
Tobacco box by an unrecorded maker, The Metropolitan Museum of Art

Tobacco box

Unrecorded maker

1781 · Brass, copper

Cleared · Public Domain

live
The MetSimilar
Illuminated Leaf with Initial "I" by Freeman Gage Delamotte, The Metropolitan Museum of Art

Illuminated Leaf with Initial "I"

Freeman Gage Delamotte (d. 1862)

1830–62 · Pen and colored inks over graphite with touches of watercolor and gold

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.